• history gives us knowlege about our past and e.g how was singapore found...what happened in world war one and two.


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  How was machine upgraded..and ancient time.it also help us to understand our ancestor and what they go through to live without machine that we have nowadays
  

Pottery

The Ancient Greeks made pottery for everyday use, not for display; the trophies won at games, such as the Panathenaic Amphorae (wine decanters), are the exception. Most surviving pottery consists of drinking vessels such as amphorae, kraters (bowls for mixing wine and water), hydria (water jars), libation bowls, jugs and cups. Painted funeral urns have also been found. Miniatures were also produced in large numbers, mainly for use as offerings at temples. In the Hellenistic period a wider range of pottery was produced, but most of it is of little artistic importance.
At the end of the Geometric phased, the Orientalizing phase of vase painting, saw the abstract geometric designs replaced by the more rounded, realistic forms of Eastern motifs, such as the lotus, palmette, lion, and sphinx. Ornament increased in amount and intricacy.
In earlier periods even quite small Greek cities produced pottery for their own locale. These varied widely in style and standards. Distinctive pottery that ranks as art was produced on some of the Aegean islands, in Crete, and in the wealthy Greek colonies of southern Italy and Sicily. By the later Archaic and early Classical period, however, the two great commercial powers, Corinth and Athens, came to dominate. Their pottery was exported all over the Greek world, driving out the local varieties. Pots from Corinth and Athens are found as far afield as Spain and Ukraine, and are so common in Italy that they were first collected in the 18th century as "Etruscan vases". Many of these pots are mass-produced products of low quality. In fact, by the 5th century BC, pottery had become an industry and pottery painting ceased to be an important art form.

• the Protogeometric from about 1050 BC;
  
• the Geometric from about 900 BC;
  
• the Late Geometric or Archaic from about 750 BC;
  
• the Black Figure from the early 7th century BC;
  
• and the Red Figure from about 530 BC.

The range of colours which could be used on pots was restricted by the technology of firing: black, white, red, and yellow were the most common. In the three earlier periods, the pots were left their natural light colour, and were decorated with slip that turned black in the kiln.
The fully mature black-figure technique, with added red and white details and incising for outlines and details, originated in Corinth during the early 7th century BC and was introduced into Attica about a generation later; it flourished until the end of the 6th century BC. The red-figure technique, invented in about 530 BC, reversed this tradition, with the pots being painted black and the figures painted in red. Red-figure vases slowly replaced the black-figure style. Sometimes larger vessels were engraved as well as painted.

Pear-shaped jar from the Greek island Milos (formerly known as Melos). Terracotta, Late
During the Protogeometric and Geometric periods, Greek pottery was decorated with abstract designs. In later periods, as the aesthetic shifted and the technical proficiency of potters improved, decorations took the form of human figures, usually representing the gods or the heroes of Greek history and mythology. Battle and hunting scenes were also popular, since they allowed the depiction of the horse, which the Greeks held in high esteem. In later periods erotic themes, both heterosexual and male homosexual, became common.
Greek pottery is frequently signed, sometimes by the potter or the master of the pottery, but only occasionally by the painter. Hundreds of painters are, however, identifiable by their artistic personalities: where their signatures haven't survived they are named for their subject choices, as "the Achilles Painter", by the potter they worked for, such as the Late Archaic "Kleophrades Painter", or even by their modern locations, such as the Late Archaic "Berlin Painter".

The Charioteer of Delphi, Delphi Archaeological Museum. One of the greatest surviving works of Greek sculpture, dating from about 470 B.C. Source:Wikipedia
The art of ancient Greece has exercised an enormous influence on the culture of many countries from ancient times until the present, particularly in the areas of sculpture and architecture. In the West, the art of the Roman Empire was largely derived from Greek models. In the East, Alexander the Great's conquests initiated several centuries of exchange between Greek, Central Asian and Indian cultures, resulting in Greco-Buddhist art, with ramifications as far as Japan. Following the Renaissance in Europe, the humanist aesthetic and the high technical

of Greek art inspired generations of European artists. Well into the 19th century, the classical tradition derived from Greece dominated the art of the western world.
Periods
The art of Ancient Greece is usually divided stylistically into four periods: the Geometric, the Archaic, the Classical and the Hellenistic.
As noted above, the Geometric age is usually dated from about 1000 BC, although in reality little is known about art in Greece during the preceding 200 years (traditionally known as the Dark Ages), the period of the 7th century BC witnessed the slow development of the Archaic style as exemplified by the black-figure style of vase painting. The onset of the Persian Wars (480 BC to 448 BC) is usually taken as the dividing line between the Archaic and the Classical periods, and the reign of Alexander the Great (336 BC to 323 BC) is taken as separating the Classical from the Hellenistic periods.
In reality, there was no sharp transition from one period to another. Forms of art developed at different speeds in different parts of the Greek world, and as in any age some artists worked in more innovative styles than others. Strong local traditions, conservative in character, and the requirements of local cults, enable historians to locate the origins even of displaced works of art.

Writing

Over five thousand years ago, people living in Mesopotamia developed a form of writing to record and communicate different types of information.

The earliest writing was based on pictograms. Pictograms were used to communicate basic information about crops and taxes.

Over time, the need for writing changed and the signs developed into a script we call cuneiform.
Over thousands of years, Mesopotamian scribes recorded daily events, trade, astronomy, and literature on clay tablets. Cuneiform was used by people throughout the ancient Near East to write several different languages.

It one of the ancient Greek traditions to held a Olympics every 4 years where people come from different places and come to challenge to see who the best at every different kind of sport
etc.

swimming,running,boxing...and so on.
It happen every 4 years because for some challenger it take they about 6 months to go back to their hometown and they also held it at different places to make it easier for some of the challenger to get there.
In the Olympics you will get different medal that only the country have (medal=a crown make of leaf that can only be found at that places)and when you win you will get a hero's welcome when you get back to your hometown.

Clothing

Ancient Greek clothing was typically homemade and the same piece of homespun fabric that was used as a type of garment, or blanket. From Greek vase paintings and sculptures, we can tell that the fabrics were intensely colored and usually decorated with intricate designs.

Clothing for women and men consisted of two main garments-a tunic (either a peplos or chiton) and a cloak (himation).eg of cloak: The peplos was a large rectangle of heavy fabric, usually wool, folded over along the upper edge so that the over fold (apoptygma) would reach to the waist. It was placed around the body and fastened at the shoulders with a pin or brooch. There were armholes were on each side, and the open side of the garment was either left that way, or pinned or sewn to form a seam.

The chiton was made of a much lighter material, normally linen. It was a very long and very wide rectangle of fabric sewn up at the sides, pinned or sewn at the shoulders, and usually girded around the waist. Often the chiton was wide enough to allow for sleeves that were fastened along the upper arms with pins or buttons. Both the peplos and chiton were floor-length garments that were usually long enough to be pulled over the belt, creating a pouch known as a kolpos. Under either garment, a woman might have worn a soft band, known as a strophion, around the mid-section of the body

.

Men in ancient Greece customarily wore a chiton similar to the one worn by women, but knee-length or shorter. An exomis (a short chiton fastened on the left shoulder) was worn for exercise, horse riding, or hard labor. The himation (cloak) worn by both women and men was essentially a rectangular piece of heavy fabric, either woolen or linen. It was draped diagonally over one shoulder or symmetrically over both shoulders, like a stole.

Women sometimes wore an epiblema (shawl) over the peplos or chiton. Young men often wore a chlamys (short cloak) for riding. Greek men occasionally wore a broad-brimmed hat (petasos), and on rare occasions, Greek women donned a flat-brimmed one with a high peaked crown.

Footwear

Women and men wore sandals, slippers, soft shoes, or boots, although at home they usually went barefoot.

Architecture in ancient Greece

Greek life was dominated by religion and so it is not surprising that the temples of ancient Greece were the biggest and most beautiful.They also had a political purpose as they were often built to celebrate civic power and pride, or offer thanksgiving to the patron deity of a city for success in war.

• Greek Temple Architecture

The Greeks developed three architectural systems, called orders, each with their own distinctive proportions and detailing. The Greek orders are: Doric, Ionic, and Corinthian.

Doric The Doric style is rather sturdy and its top (the capital), is plain. This style was used in mainland Greece and the colonies in southern Italy and Sicily.

Ionic The Ionic style is thinner and more elegant. Its capital is decorated with a scroll-like design (a volute). This style was found in eastern Greece and the islands.

Corinthian The Corinthian style is seldom used in the Greek world, but often seen on Roman temples. Its capital is very elaborate and decorated with acanthus leaves.

• Doric Order

• Parthenon - temple of Athena Parthenos ("Virgin"), Greek goddess of wisdom, on the Acropolis in Athens. The Parthenon was built in the 5th century BC, and despite the enormous damage it has sustained over the centuries, it still communicates the ideals of order and harmony for which Greek architecture is known.
  
  
• Ionic Order

Erechtheum - temple from the middle classical period of Greek art and architecture, built on the Acropolis of Athens between 421 and 405BC.
The Erechtheum contained sanctuaries to Athena Polias, Poseidon, and Erechtheus. The requirements of the several shrines and the location upon a sloping site produced an unusual plan. From the body of the building porticoes project on east, north, and south sides. The eastern portico, hexastyle Ionic, gave access to the shrine of Athena, which was separated by a partition from the western cella. The northern portico, tetrastyle Ionic, stands at a lower level and gives access to the western cella through a fine doorway. The southern portico, known as the Porch of the Caryatids (see caryatid) from the six sculptured draped female figures that support its entablature, is the temple's most striking feature; it forms a gallery or tribune. The west end of the building, with windows and engaged Ionic columns, is a modification of the original, built by the Romans when they restored the building. One of the east columns and one of the caryatids were removed to London by Lord Elgin, replicas being installed in their places.

The Temple of Apollo at Didyma - The Greeks built the Temple of Apollo at Didyma, Turkey (about 300 BC). The design of the temple was known as dipteral, a term that refers to the two sets of columns surrounding the interior section. These columns surrounded a small chamber that housed the statue of Apollo. With Ionic columns reaching 19.5 m (64 ft) high, these ruins suggest the former grandeur of the ancient temple.

The Temple of Athena Nike - part of the Acropolis in the city of Athens. The Greeks built the Temple of Apollo at Didyma, Turkey (about 300 BC). The design of the temple was known as dipteral, a term that refers to the two sets of columns surrounding the interior section. These columns surrounded a small chamber that housed the statue of Apollo. With Ionic columns reaching 19.5 m (64 ft) high, these ruins suggest the former grandeur of the ancient temple.

Corinthian Order:

- most ornate of the classic orders of architecture. It was also the latest, not arriving at full development until the middle of the 4th cent. B.C. The oldest known example, however, is found in the temple of Apollo at Bassae (c.420 B.C.). The Greeks made little use of the order; the chief example is the circular structure at Athens known as the choragic monument of Lysicrates ( 335 B.C.). The temple of Zeus at Athens (started in the 2d cent. B.C. and completed by Emperor Hadrian in the 2d cent. A.D.) was perhaps the most notable of the Corinthian temples.